Copyright Nicholas Rubatino
nicholasrubatino@gmail.com
For over 10 years I did a portrait of my nieces and nephews for Christmas. This was from 2010, the second year, and I did them as characters from whatever they were watching that year. At top is my initial concept, and every year my most difficult artistic challenge was translating my usual work into a more family palatable medium.
Revv G4 I finished a while ago. It's cool, tends to skew a little shrill for my taste, changing a couple caps would probably fix that but I haven't looked into it.
Two effects I always use together so I put them in one box. And... they sound different. Something happened where having them in one box sounds way different than having them as two pedals. One of life's magic mysteries!
An example of two frames from the video prologue I'm cross fading between. Sometimes It's so subtle I can barely see it; the daemon's mouth closes, her face changes a bit, and the steam moves. I think it registers subconsciously and makes it feel unsettling even if the movement isn't detected.
November 8th 2023 I'll have been working on The Satan Killers everyday for a year. The first panels I drew on November 8 2022 were Roger confronting Satan in his office. I'm on page 25 of 45, actually 47, I added two pages of The Overseer at The God Labs to the end.
In high school a friend asked me to make a logo for the Death Metal band he was in. They didn't use it.
You ever spend hours, days, two weeks, staring at the painting you're doing of Rogers face, that you had already finished, but never quite looked right, and everything you do to fix it makes it worse and you punch some acrylic thing because you're trying to finish it at home all for a panel people will glance over in 0.5 seconds? Me too!!!!!!!!!!!
